HIROSHIGE AND VAN GOGH

HIROSHIGE AND VAN GOGH
Read About Van Gogh's Secret Visit to Japan

WELCOME TO BLOGABOUTJAPAN

WELCOME TO BLOGABOUTJAPAN
IT WAS A SPECIAL TIME IN MY LIFETIME

APT WITH TATAMI MATS, a special time in my lifetime in Japan...

APT WITH TATAMI MATS, a special time in my lifetime in Japan...
Watercolor by R.L.Huffstutter

COMPARISONS IN ART

COMPARISONS IN ART
HIROSHIGE'S WORK ON LEFT, VAN GOGH'S ON RIGHT

YOKOHAMA PICTURE SHOW

YOKOHAMA PICTURE SHOW
Shot with my Petri in Yokohama 1962

RICE FIELD IN JAPAN 1962

RICE FIELD IN JAPAN 1962
I took this with my PETRI in Kanagawa Prefecture

Sunday, October 31, 2010

odawara,kanagawa 2010

This is a scene that will forever intrique me because of my residence in Japan from 1961 until the eve of 1964. Japan was still building night and day, and there were many small streets and alleys like this one.

In a city as huge as Tokyo, there will always be small and personal alleys and streets. I am glad to see they still exist.I find them totally unique and perfect for my sketchwork. To me, they are a work of art with their utility poles and wires, their windows and signs, whatever one wants to leave outside. It all creates a balance of line and geometry that will forever remind me of my first few months discovering Tokyo and Yokohama.

It was like another world--it was another world and one that I loved very much.

It was not the lines only, it was also the kind people who helped me find my way around if they thought I was lost. Yes, many times I did get lost and felt like a stranger in a strange land, but there was never one night, no, not a moment when I felt fear and I will always be greatful and thankful to those who helped me find my way safely out of the darkness of a Tokyo at midnight.

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odawara,kanagawa 2010

Uploaded by izumi WONDERWALL on 30 Aug 10, 7.11AM PDT.

Thursday, October 28, 2010

Saturday, October 23, 2010

JAPAN TRAVEL POSTER FEB 2010

As fate would command, I found myself in Japan from August 1961 until the eve of 1964, stationed at Atsugi. Young and impressionable upon my arrival via Pan Am in that autumn of 1961, I was only 19 and totally fascinated with this great nation called Japan. My bus ride from the old Tokyo International Airport to the plains of Kanto in Kanagawa was like a course in National Geographic history. To say that I was excited would be an understatement; my excitement was at its height. Never in my life had I been so excited, so elated, so expectant of my new duty station. The yen was 360 per dollar at the time and being young and full of the curiosity young men have, I sensed that the exchange rate would be in my favor. As an artist, my supplies for painting would be most affordable; as a reader of Penguin history pocketbooks, I soon found that I could buy them at half the price I had paid for them in the USA. But what excited me was the sheer joy of being in a country that was full of beautiful music, aromatic scents of foods I was anxious to try, beautiful women with smiles were beautiful beyond words, buildings with roofs that made me anxious to sketch and photograph. Oh, the bus ride was just an introduction to my joyful tour in a most beautiful nation. PHOTO IMAGES OF JAPAN is an image that will lead the viewer to old photographs taken in the early 60s, sketches and paintings I made while in Japan and work I have done since.

You, the viewer, are cordially invited to enjoy my volume of works about the Japan of the 1960s; you are invited to leave me comments about the different scenes. I always appreciate feedback and suggestions. Know that I love Japan and the Japanese, a fact the viewer will surely realize upon beginning an pictorial journey through my Flickr photostream and my blog, BLOGABOUTJAPAN.

Thank you, Robert L. Huffstutter

Wednesday, October 20, 2010

The 29th of October, 2009

ONE OF MY FIRST FASCINATIONS UPON ARRIVING IN JAPAN IN 1961 WAS MT FUJI and the the overwhelming beauty of the country, but another feature of Japan that fascinated me was the many side streets or alleyways with their numerous signs in a language I could not read. It did not take me long to realize the fun the alleyways and sidestreets offered to one with an appetite for the wines of pleasure and the subjects for new and different paintings. It was with much sorrow that I had to move on to my next tour after spending 28 months in and around Yokohama and Tokyo. Now, after nearly 50 years, it is good to see that the sidestreets with their fascinating lights and signs still exist. To return to these streets of fond memories is one wish I hope to fulfill in the near future.

It is with much pleasure that I view the many photographs by TAKAHIRO YAMAMOTO. His photos published on Flickr are a joy for all who enjoy both artistic and graphic photography. He is a master photographer and one photographer whose work I admire with much respect.

The 29th of October, 2009

Tuesday, October 19, 2010

Tuesday, October 12, 2010

196/2010


196/2010
Originally uploaded by Takahiro Yamamoto
The building in the background is one that I sketched and painted long before the other buildings were constructed. I do not know what building it is or its name, but the scene projects how time changes waterfront scenes. Thanks to Takahiro Yamamoto for permission to include his photo in my blog.
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196/2010
196/2010
King, Jack, and Queen in Yokohama
See notes in the photo.

See my mobile photo collections here too.
I have set up another Flickr account!

Uploaded by Takahiro Yamamoto on 18 Jul 10, 1.50AM PDT.

271/2010


271/2010
Originally uploaded by Takahiro Yamamoto
The contrast between the giant skyscrapers of Tokyo and the narrow alleys of Shinjuku is part of the magic and charm I find so fascinating about Japan. I would much rather traverse these alleys with their inviting signs than ride the high-speed elevators to the sky-high elevators of the corporate world.
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Thanks to Takahiro Yamamoto for permission to include this image in my blog.

271/2010

Monday, October 11, 2010

HELLO TO MY FOLLOWERS OF BLOGABOUTJAPAN...

IT IS SO SELDOM THAT I GET A CHANCE TO TALK WITH YOU OR READ YOUR POSTS. I AM STILL TRYING TO FIGURE OUT HOW TO RECOVER COMMENTS, ETC FROM MY BLOG.LET ME ASK YOU A FAVOR.

PLEASE GO TO MY FLICKR ACCOUNT AND LEAVE ME A MESSAGE THAT YOU ARE A FOLLOWER. IF YOU HAVE A BLOG, LET ME KNOW. OR IF YOU HAVE A FLICKR ACCOUNT, LET ME KNOW SO I CAN FOLLOW YOUR PHOTOSTREAM. THANKS, ROBERT

SOBA REFILL ORDER: Detail of watercolor by R.L.Huffstutter

SOBA REFILL ORDER: Detail of watercolor by R.L.Huffstutter
This watercolor with pen and ink highlights is the subject matter of a photo taken in a Yokohama alley in Chinatown in 1961. It was not until I confered with several of my Japanese friends that I learned this was a soba bowl, not a rice bowl. One learns so much even after 50 years has passed since I snapped the photo with my new Petri. Below is the photo.

Uploaded by roberthuffstutter on 9 Oct 10, 10.37AM PDT.

JAL_First_Class_Suite_777-300ER

JAL_First_Class_Suite_777-300ER

THIS WOULD BE A WISH COME TRUE...to and from Japan, but I tend to feel I would want to stay for quite awhile--there is another lifetime of photography and art waiting for me.

Saturday, October 9, 2010

A SLOW DAY ON BENTEN STREET, YOKOHAMA -- The #1 International Shopping District During the Late Meiji Era, and the "PHOTOGRAPHERS ROW" OF OLD JAPAN (With Some Notes on the BRINKLEY SETS)

EXTRA EXTRA, READ ALL ABOUT IT, MORE GREAT NEWS FROM OLD YOKOHAMA BY OKINAWA SOBA....

A SLOW DAY ON BENTEN STREET, YOKOHAMA -- The #1 International Shopping District During the Late Meiji Era, and the "PHOTOGRAPHERS ROW" OF OLD JAPAN (With Some Notes on the BRINKLEY SETS)
Ca.1895-1900 This view looks Southeast down Benten Street, called in Japanese, "Benten Dori" The clock tower on the left was built in 1894.

This shop-lined avenue is where almost all albumen souvenir photographs of Japan were made during the 19th Century. In fact, it is here on this street in 1896 that the effort was organized to produce what started out as an order for over 180,000 albumen prints to be tipped into the multi-volume sets of Brinkley's 1897 JAPAN - DESCRIBED AND ILLUSTRATED BY THE JAPANESE. However, some sources have said this order was eventually increased to 1,000,000 hand-colored prints --- all for the same publisher !

We now know that Yokohama photographer KOZABURO TAMAMURA whose studio was located at No.2 Benten Street was the one charged with coming up with this mountain of hand finished photographs to be pasted into the volumes of these silk-covered sets, and he called upon his Japanese photographer friends and acquaintances to bail him out !

The unbelievable initial order for for 180,000 photographs was so astounding, it made news in the Japanese papers of the day.

But, that was only the beginning.

Some sources have said this order was eventually increased to 1,000,000 hand-colored prints --- all for the same publisher ! Although I have not been able to track the "million" number down to a primary source, I have made some basic calculations based on Bethel's list of editions of this set (and some not on her list), and came up with way more than double the first installment of 180,000 prints --- actually well over 400,000 hand-made albumen photos (just for starters) !

There were also numerous editions that have no press-run figures, and the published also issued ART FOLIO sets that were filled with nothing but loose, mounted prints.

Although an accurate final figure might be impossible to obtain, the numbers so far certainly indicate the incredible amount of early Japanese photographs that came out of Yokohama during the 19th century.

The image above was photographed by KOZABURO TAMAMURA --- the same guy who had to come up with those 500,000 to 1,000,000 photos! Read all about this amazing production here :

www.flickr.com/photos/24443965@N08/3340015545/

Both TAMAMURA and T. ENAMI had studios at the far end of this street. The presence of many other photo studios along this strip of expensive real estate allowed it to also lay claim to being the "Photographers Row" of Old Japan. Even the famous KIMBEI opened his first studio here.

On busy days, it was packed with shoppers from all over the world --- sometimes to the point of 'rickshaw traffic jams. Even more than the Ginza in Tokyo, this street was the international shopping mecca for all who came to Japan. Arts, crafts, and "curios" galore were all here.

It was an especially colorful place to be during celebrations and festivals. However, Tamaura chose a quieter day to get his shot when all of those said decorations and crowds of people were not in the way.


Here are some other BENTEN STREET images on my stream, with additional caption commentary : www.flickr.com/search/?w=24443965@N08&q=BTSYOKO&m...

I've written more about TAMAMURA and T. ENAMI's photographic cooperation and friendship at www.t-enami.org/services

Uploaded by Okinawa Soba on 29 Mar 08, 4.40PM PDT.

Saturday, October 2, 2010

TRUE IMPRESSIONISM

This is a scene that exists not only in my mind, but on a few slides I took while I was stationed in Japan in the early 60s. I have yet to find the slides, but I have not searched too extensively. Some scenes are best left alone, at least until we feel we might not get another look at them again. Until then, I shall continue to paint this corner in Yokohama time and again, each time with a bit more reality from memories that continually awaken as I grow older. Strange that as one grows older, those events that once seemed so far away seem to come closer. Why is this so? Is there some type of time loop that we are on that is like a round-trip ticket that takes us back as we near the end of our journey? If there is a viewer or reader who shares this experience, please feel invited to share with comments. I would like to hear other opinions and theories.