HIROSHIGE AND VAN GOGH

HIROSHIGE AND VAN GOGH
Read About Van Gogh's Secret Visit to Japan

WELCOME TO BLOGABOUTJAPAN

WELCOME TO BLOGABOUTJAPAN
IT WAS A SPECIAL TIME IN MY LIFETIME

APT WITH TATAMI MATS, a special time in my lifetime in Japan...

APT WITH TATAMI MATS, a special time in my lifetime in Japan...
Watercolor by R.L.Huffstutter

COMPARISONS IN ART

COMPARISONS IN ART
HIROSHIGE'S WORK ON LEFT, VAN GOGH'S ON RIGHT

YOKOHAMA PICTURE SHOW

YOKOHAMA PICTURE SHOW
Shot with my Petri in Yokohama 1962

RICE FIELD IN JAPAN 1962

RICE FIELD IN JAPAN 1962
I took this with my PETRI in Kanagawa Prefecture

Friday, June 10, 2011

YOKOHAMA'S YAMASHITA PARK, Painted on site 1962

A SHORT AND PERSONAL HISTORY OF MY LIFE ABOARD A TRAMP STEAMER By Robert L. Huffstutter

Back in the mid 1950s when I was a restless teenager and bored as hell with Kansas City, I wanted to get out of town and start living. I soon learned, passing Lawrence, Kansas, that I was going to have get a hell of a lot farther than Lawrence, Kansas to start seeing the world. And I had heard about tramp steamers. My English teacher back then, Mr. Smith, had mentioned the romance of the world of tramp steamers, so when I got home from my little trip to Lawrence without meeting any college cheerleaders, I started reading about tramp steamers and where I could find one that would sign me on so I could get to Hong Kong or Yokohama to start having some fun. Work? Sure, yes, I could work, I was young, and though not a giant, I could lift boxes and toss them up and aft and wherever, the kind of work I assumed would make up the life of a seaman.

Where does one go to find a tramp steamer I asked myself as I researched the library's reference section. No, I couldn't get to some English seaport to catch a steamer, besides they probably had all the help they needed. Was I longshoreman? I was barely a teenager, but maybe I could become a cabinboy. Afterall, didn't all the Naval heros start out as cabinboys, at least before we became free from the English? Going out of the country wouldn't work. I would have to find a port city in the USA to sign on. My aunt told me I should reconsider, finish school, get a real job. I wouldn't want to end up as a truckdriver would I? She said I would need a good education if I wanted to make more than $5 or $6 dollars an hour. I ought to try to get on at the steel mill where they were paying $7 an hour. That didn't appeal to me because I knew some friends whose dads worked there and they said it was hotter than hell inside those huge buildings. How about the BOP Plant at Leeds, not faraway. They built Buicks, Olds and Pontiacs. Well, I knew you had to be 18 and I didn't want to wait, I wanted to get on a ship where I could see the world, a tramp steamer. The idea appealed to me. I had just read Orwell's Down and Out In London and Paris and I figured Paris would be a great place to be down and out in, if only I could get there. Yes, I could start painting, meet a French woman, hang out in bistros and cabarets and have fun. And sooner or later, I would become famous, like that guy with the big nose that went to Tahiti and painted island women barely clad. Yes.

R.L.HUFFSTUTTER